Adelaide Perry Prize

March 1, 2018

Delighted to be exhibiting alongside these artists in the Adelaide Perry Prize for Drawing:

Tim Allen, Tony Ameneiro, Andrew Antoniou, Carol Archer, Stephen Bird, John Bokor, Nicola Bolton, Chris Bond, Damian Broomhead, Tom Carment, Michelle Cawthorn, Serena Christie, Adam Cusack, Dagmar Cyrulla, Amy Dynan, Helen Eager, Robert Ewing, David Fairbairn, Garry Foye, Todd, Jane Grealy, Nicci Haynes, Paul Heppell, Kendal Heyes, Eamonn Jackson, Melody Jones, Krystyna Katsouri, Jennifer Keeler-Milne, Matthew Kentmann, Martin King, Ceara Metlikovec, Damian Moss, Catherine O'Donnell, Becc Ország, Claire Primrose, Evan Salmon, Andrew Seward, Peter Sharp, Mike Staniford, Kylie Stillman, Craig Waddell, Anna Warren, Stuart Watters and Peter Wegner.

The Adelaide Perry Prize for Drawing
3 to 29 March.
Adelaide Perry Gallery
Corner Hennessy and College Streets Croydon Sydney NSW

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Posted @withregram • @steven.rendall It has been a privilege to work with all of the 3rd year Painting students at RMIT School of Art this semester. The Graduate Exhibition really demonstrates the depth and range of ideas and methods that these students have achieved this year. You are all amazing. Keep working. Keep making. These particular images are of the protests that some students have made in response to the recent murder of Isla Bell and the shocking statistics of male violence against women. There are more of these protests in painting and in the other studios too. @rmit_art @painting_rmit The exhibition is open until 4.00pm today. #islabell

May have picked the wrong week to read this one…

An oldie but a goodie… Posted @withregram • @utopiaartsydney Visit @dedece Sydney and see some stunning works in their showroom for the launch of @minotti_spa. Including the major installation ‘flock’ by @kylie.stillman and a number of sculptures and paintings by @christopherahodges

Posted @withregram • @parliamenthousecanberra ‘Parliament House, afternoon shadow’ by Kylie Stillman is a unique artwork in the Parliament House Art Collections. It was first displayed in Parliament House for the 2018 exhibition, Façade, before being acquired into the Rotational Collection. Taking a mix of 32 discarded books, Stillman hand cut the page edges to create the familiar façade of Australian Parliament House! You can see the flag up close in the third image. The books Stillman used included a 1963 volume of Senate Debates, a 1984 copy of the Acts of Parliament, and a 1996 Statutory Rules record. Images: Kylie Stillman (born 1975), Parliament House, afternoon shadow, 2018, Parliament House Art Collections. #handcut #books #bookart #australianart #parliamenthousecanberra #australianparliamenthouse #visitcanberra #cbrarts #kyliestillman @utopiaartsydney

Posted @withregram • @sydneycontemporary A fair within the Fair, WORKS ON PAPER is a dedicated sector of the fair showcasing the best of national and international contemporary works on paper, including printmaking, watercolours, drawings, photographs, zines, and more. From renowned masters to emerging talents, there’s something for everyone at WORKS ON PAPER, with artworks available at various price points. Artwork: Kylie Stillman, Mountain Pine, 2023. @utopiaartsydney #sydneycontemporary #sc24 #contemporaryart

In good company @sydneycontemporary Emily Kame Kngwarreye, Chuck Close, John R Walker, Tony Coleing, Kylie Stillman @utopiaartsydney WORKS ON PAPER sector Sydney Contemporary Carriageworks 5-8 September #sydneycontemporary

New work at Sydney Contemporary this week, visit Utopia Art Sydney, you can’t miss them first stand as you enter and a new stand at WORKS ON PAPER sector. Sydney Contemporary 2024 5 - 8 September Carriage Works, Sydney Artwork Image: Kylie Stillman, Dark Web 2024 Hand-stitched glass beads and acrylic on paper 76 x 56cm #kyliestillman @utopiaartsydney @sydneycontemporary

Book Week props… love your work JD

Reunion P B K 🥰

Posted @withregram • @utopiaartsydney Kylie Stillman’s Eucalypt is now installed beautifully in the garden of Government House in Adelaide. One of many works from the outstanding @agsa.adelaide collection installed in public places. Thanks to @governorsouthaustralia & @rhanadevenport and their teams and congratulations to @kylie.stillman 🙏

Publication: MRAG Collection Prized | Gifted | Collected | Shared Kylie Stillman ‘Japanese White Pine’ 2005 Donated through the Australian Government’s Cultural Gifts Program by Penelope Seidler, 2015 #kyliestillman @penelopeseidler @utopiaartsydney

New work coming soon... Utopia Art Sydney Sydney Contemporary 2024 Celebrating 20 years exhibiting with Utopia Art Sydney Image: Kylie Stillman 'X O' 2024 Hand-stitched glass beads, cotton and acrylic on paper 76 x 35 cm @utopiaartsydney @sydneycontemporary

Something to be installed soon…

Today is International Sculpture Day #isday Artwork: Kylie Stillman, Red Maple, 2007, 200 sheets of hand-cut plywood 3000 x 2400 x 1240 mm Featured in HANDLE WITH CARE Adelaide Biennial of Australian Art 2008 Art Gallery of South Australia Curated by Felicity Fenner Occasionally when confronting an illusion it becomes important to start with what’s apparent or obvious or perhaps an uncomfortable truth. In this case that truth is that the 200 sheets of full scale plywood that form the basis for Kylie Stillman’s work ‘Red Maple’ was never Red Maple. This is a reality check for pine plantations everywhere because it is easy to imagine from the plywoods’ perspective that the Red Maple is an aspirational tree. It’s a grand dame of timber imported from the Far North, its leaf so effortlessly resolved by nature, so symmetrically lovely that impudent Canadian travellers everywhere feel the urge to wear it stamped on their all weather gear and laud its elegant silhouette on flags and badges that fly in the face of other less grandiloquent landscapes in which the eucalypt or pine becomes a minor cause celebre. - Catalogue extract by Alexie Glass-Kantor #kyliestillman Courtesy of @utopiaartsydney @intsculptureday

Kylie Stillman, Weave Wave, 2023, cotton thread and acrylic on paper in timber frame, 76 x 56 x 6cm Collection of Mornington Peninsula Regional Gallery

Bird hide

NYC reunion with Kathy and Sardi

New home for ‘Egg’ from the exhibition ‘Glimmer Warning’ @mprg_vic @utopiaartsydney #kyliestillman

Posted @withregram • @utopiaartsydney Opening today an exhibition of artists who have been exhibited in public galleries recently. Pictured are George Tjungurrayi, Kylie Stillman and David Aspden. George is currently on view at the @shervingallery and was @drillhallgallery in December, Kylie Stillman recently @mprg_vic and David Aspden @macquarieuni. The show has plenty of great works including a never exhibited work by Emily Kngwarreye now showing @nationalgalleryaus and there is more…. Come along and celebrate this afternoon. @papunyatulaartists @kylie.stillman #davidaspden @emilykamekngwarreye